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the mirror of the sea-第6部分
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their evolutions is a pleasure to the eye。 They are birds of the
sea; whose swimming is like flying; and resembles more a natural
function than the handling of man…invented appliances。 The fore…
and…aft rig in its simplicity and the beauty of its aspect under
every angle of vision is; I believe; unapproachable。 A schooner;
yawl; or cutter in charge of a capable man seems to handle herself
as if endowed with the power of reasoning and the gift of swift
execution。 One laughs with sheer pleasure at a smart piece of
manoeuvring; as at a manifestation of a living creature's quick wit
and graceful precision。
Of those three varieties of fore…and…aft rig; the cutter … the
racing rig PAR EXCELLENCE … is of an appearance the most imposing;
from the fact that practically all her canvas is in one piece。 The
enormous mainsail of a cutter; as she draws slowly past a point of
land or the end of a jetty under your admiring gaze; invests her
with an air of lofty and silent majesty。 At anchor a schooner
looks better; she has an aspect of greater efficiency and a better
balance to the eye; with her two masts distributed over the hull
with a swaggering rake aft。 The yawl rig one comes in time to
love。 It is; I should think; the easiest of all to manage。
For racing; a cutter; for a long pleasure voyage; a schooner; for
cruising in home waters; the yawl; and the handling of them all is
indeed a fine art。 It requires not only the knowledge of the
general principles of sailing; but a particular acquaintance with
the character of the craft。 All vessels are handled in the same
way as far as theory goes; just as you may deal with all men on
broad and rigid principles。 But if you want that success in life
which comes from the affection and confidence of your fellows; then
with no two men; however similar they may appear in their nature;
will you deal in the same way。 There may be a rule of conduct;
there is no rule of human fellowship。 To deal with men is as fine
an art as it is to deal with ships。 Both men and ships live in an
unstable element; are subject to subtle and powerful influences;
and want to have their merits understood rather than their faults
found out。
It is not what your ship will NOT do that you want to know to get
on terms of successful partnership with her; it is; rather; that
you ought to have a precise knowledge of what she will do for you
when called upon to put forth what is in her by a sympathetic
touch。 At first sight the difference does not seem great in either
line of dealing with the difficult problem of limitations。 But the
difference is great。 The difference lies in the spirit in which
the problem is approached。 After all; the art of handling ships is
finer; perhaps; than the art of handling men。
And; like all fine arts; it must be based upon a broad; solid
sincerity; which; like a law of Nature; rules an infinity of
different phenomena。 Your endeavour must be single…minded。 You
would talk differently to a coal…heaver and to a professor。 But is
this duplicity? I deny it。 The truth consists in the genuineness
of the feeling; in the genuine recognition of the two men; so
similar and so different; as your two partners in the hazard of
life。 Obviously; a humbug; thinking only of winning his little
race; would stand a chance of profiting by his artifices。 Men;
professors or coal…heavers; are easily deceived; they even have an
extraordinary knack of lending themselves to deception; a sort of
curious and inexplicable propensity to allow themselves to be led
by the nose with their eyes open。 But a ship is a creature which
we have brought into the world; as it were on purpose to keep us up
to the mark。 In her handling a ship will not put up with a mere
pretender; as; for instance; the public will do with Mr。 X; the
popular statesman; Mr。 Y; the popular scientist; or Mr。 Z; the
popular … what shall we say? … anything from a teacher of high
morality to a bagman … who have won their little race。 But I would
like (though not accustomed to betting) to wager a large sum that
not one of the few first…rate skippers of racing yachts has ever
been a humbug。 It would have been too difficult。 The difficulty
arises from the fact that one does not deal with ships in a mob;
but with a ship as an individual。 So we may have to do with men。
But in each of us there lurks some particle of the mob spirit; of
the mob temperament。 No matter how earnestly we strive against
each other; we remain brothers on the lowest side of our intellect
and in the instability of our feelings。 With ships it is not so。
Much as they are to us; they are nothing to each other。 Those
sensitive creatures have no ears for our blandishments。 It takes
something more than words to cajole them to do our will; to cover
us with glory。 Luckily; too; or else there would have been more
shoddy reputations for first…rate seamanship。 Ships have no ears;
I repeat; though; indeed; I think I have known ships who really
seemed to have had eyes; or else I cannot understand on what ground
a certain 1;000…ton barque of my acquaintance on one particular
occasion refused to answer her helm; thereby saving a frightful
smash to two ships and to a very good man's reputation。 I knew her
intimately for two years; and in no other instance either before or
since have I known her to do that thing。 The man she had served so
well (guessing; perhaps; at the depths of his affection for her) I
have known much longer; and in bare justice to him I must say that
this confidence…shattering experience (though so fortunate) only
augmented his trust in her。 Yes; our ships have no ears; and thus
they cannot be deceived。 I would illustrate my idea of fidelity as
between man and ship; between the master and his art; by a
statement which; though it might appear shockingly sophisticated;
is really very simple。 I would say that a racing…yacht skipper who
thought of nothing else but the glory of winning the race would
never attain to any eminence of reputation。 The genuine masters of
their craft … I say this confidently from my experience of ships …
have thought of nothing but of doing their very best by the vessel
under their charge。 To forget one's self; to surrender all
personal feeling in the service of that fine art; is the only way
for a seaman to the faithful discharge of his trust。
Such is the service of a fine art and of ships that sail the sea。
And therein I think I can lay my finger upon the difference between
the seamen of yesterday; who are still with us; and the seamen of
to…morrow; already entered upon the possession of their
inheritance。 History repeats itself; but the special call of an
art which has passed away is never reproduced。 It is as utterly
gone out of the world as the song of a destroyed wild bird。
Nothing will awaken the same response of pleasurable emotion or
conscientious endeavour。 And the sailing of any vessel afloat is
an art whose fine form seems already receding from us on its way to
the overshadowed Valley of Oblivion。 The taking of a modern
steamship about the world (though one would not minimize its
responsibilities) has not the same quality of intimacy with nature;
which; after all; is an indispensable condition to the building up
of an art。 It is less personal and a more exact calling; less
arduous; but also less gratifying in the lack of close communion
between the artist and the medium of his art。 It is; in short;
less a matter of love。 Its effects are measured exactly in time
and space as no effect of an art can be。 It is an occupation which
a man not desperately subject to sea…sickness can be imagined to
follow with content; without enthusiasm; with industry; without
affection。 Punctuality is its watchword。 The incertitude which
attends closely every artistic endeavour is absent from its
regulated enterprise。 It has no great moments of self…confidence;
or moments not less great of doubt and heart…searching。 It is an
industry which; like other industries; has its romance; its honour
and its rewards; its bitter anxieties and its hours of ease。 But
such sea…going has not the artistic quality of a single…handed
struggle with something much greater than yourself; it is not the
laborious absorbing practice of an art whose ultimate result
remains on the knees of the gods。 It is not an individual;
temperamental achievement; but simply the skilled use of a captured
force; merely another step forward upon the way of universal
conquest。
IX。
Every passage of a ship of yesterday; whose yards were braced round
eagerly the
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